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From France with Love: Gender and Identity in French Romantic Comedy

From France with Love: Gender and Identity in French Romantic Comedy
Mary Harrod

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Description

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amelie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com a l'Americaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

Table of Contents

Introduction

1 Romantic Comedy – and its Discontents
2 Romance Today
3 Gendered Identities in Love
4 Family Affairs
5 Genre, Style and Transnationalism
Concluding Remarks: Rom-Com into the 2010s

Notes
Bibliography
French rom-coms 1990–2010 with Box-Office Admissions
Index

Author Info

Mary Harrod is Assistant Professor in French Studies at the University of Warwick. Prior to this, she was a Teaching Assistant at King's College London, where she received her PhD. Before embarking upon an academic career in 2007, she worked in film production and development for five years.

Review

Shortlisted for BAFTSS Best Monograph 2017 

'Mary Harrod's investigation of the French rom-com over the past two decades is a tour de force. In her unlayering of the complexities of contemporary socio-sexual life as revealed in the rom-com, she clearly delineates the French specificities of this most transnational of genres. Not only does she demonstrate how the rom-com provides an accurate social barometer of human relationships in contemporary France, in so doing she also makes clear the relevance of an academic study of this much neglected genre which speaks to the social culture of its time around such challenging issues as love, marriage, divorce, parenthood, gender and queer relations, and the impact of new technologies and legislation on human connections.'
Professor Susan Hayward, Modern Languages Department, University of Exeter

'Mary Harrod’s wide-ranging survey brings out the many contradictions and tensions of the contemporary French rom-com. With its focus on shifting gender roles, the importance of the family unit, and the relationship with the US rom-com, this book is essential for an understanding of popular French cinema.'
Phil Powrie, Professor of Cinema Studies, University of Surrey

‘Harrod’s groundbreaking book puts French romantic screen comedy into stimulating analysis, making a compelling case that this popular genre is vital to understanding France’s recent filmmaking.’
Tim Palmer, Professor of Film Studies at the University of North Carolina Wilmington, and author of Brutal Intimacy: Analyzing Contemporary French Cinema (2011) and Irreversible (2015)

Bibliographic Info

Imprint: I.B.Tauris
Publisher: I.B.Tauris & Co Ltd.
Series: International Library of the Moving Image

Hardback
ISBN: 9781784533588
Publication Date: 29 May 2015
Number of Pages: 304
Height: 216
Width: 138

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